Wednesday, July 11, 2012

A Rant About New Business Ventures

I am getting a little behind on posting the plein air pieces from Michigan. There is never enough time to do everything you want to do. Yesterday I worked all day, dropped off paintings to (better leave this unnamed) a new gallery in Swanton, then drove to Bryan for an impromptu art show with the Williams County Art Guild on the courthouse lawn. The initial impression at the gallery was not too pleasant, although the space is lovely and elegant. But I may not be able to do business with them and I'll tell you why. When I arrived at his door with my paintings the owner did not have a consignment agreement ready. In fact, he had absolutely no paperwork on hand. I was sort of prepared for that as I knew this was all new to him, but still.... it made me stop and think about what I was getting into. So I had quickly pulled together a contract of my own that I had copied from the internet and amended a bit. He instantly balked at signing it- calling it "so much legalese". The real issue seemed to be the fact that I wanted to be sure he had insurance to cover my paintings. The contract also stipulated the basics of when and how often I would be paid if a piece sold and that the copyright for the art belonged to  me. That's it... fairly standard stuff. Or at least it seemed pretty standard compared to what I have worked with in the past. Apparently it was not-- to him! Why would I leave thousands of dollars worth of work somewhere without a contract or assurance that I would be compensated if his building burned down? I did a bit of research before writing this agreement and galleries generally have insurance to cover their contents if there is a loss. He did not feel like purchasing any, although he would happily take a commission for allowing my art to decorate his walls.

I left the paintings but I will  pick them up and take them to the Silver Lining Gallery tomorrow if he does not come up with a contract that we can both agree on. Questions I need to have answered include: Is he is willing to treat this as a legitimate business venture? Is this the kind of person I want representing me? Currently he seems to think he is doing artists a favor by allowing them to hang their art on his walls. There is surely a lesson here for me. I think it might be that first impressions do matter. When I first met the owner I was a bit dismayed with his organizational skills. He also didn't seem to have any idea how to judge the quality of professional art. He seriously thought if it had a boat or water in it that was a good painting. One thing I do know is this: you need to be comfortable with the people you do business with and I have not reached that stage with the owner of this gallery yet.

Here is a small 8"x10" painting I did last night on the town square in Bryan. They had a bluegrass band playing and some spectators were sitting in lawn chairs listening to the music. I found this guy pretty interesting. Maybe it was the beard or maybe it was the hat. Either way, you have to paint what intrigues you.

He stayed for an hour and I was just finishing the painting when he got up and left. This is a piece I will list in my eBay store for starting bid of $9.95 as a loss leader to get some views. And I won't feel awfully disappointed if it sells for that.

Bluegrass Fan
8" x 10"


Friday, July 06, 2012

Even a boat can be interesting if the light is right

I'll be the first to admit that I know next to nothing about boats or fishing or almost anything to do with water. I can swim. Period. I do like the way light reflects on water and I love old worn things though. There were three of these little rowboats on the shore of Lake Ocqueoc near our cabin. I think all of us painted them at one time or another. I walked down to the beach one morning (not really a beach- more of a boat launching area for which I do not know the name). I loved the early morning light and I got a late start so I had a two hour window to do this painting. The reason for the late start was I did another painting EARLIER that morning. This would be a record-breaking day for me, as I ended up painting four plein air pieces in one day.

This is my favorite painting from our trip to Lake Huron. It seems to capture the "feel" of the northern Michigan climate nicely. Or at least how I perceived it. Paintings are a little bit of shared history and the artist can't help making them personal. That's why everyone's paintings are different, even if they're painting the same thing. I've observed this many times when I set up a still life in a room full of students or go out with friends and paint the same thing and we all end up with completely different paintings. Everyone views a scene in a very personalized way. I think we're wired to do that. If we weren't all the movies ever made would be similar; clothing designers would be out of work and life would be incredibly boring.

So while some people might look at one of my paintings and say-- "Oh- that looks so real!" I've had a lot of people- mostly kids- say that, and yet, when you compare it to what is actually in front of me- it isn't. It is MY VERSION of what is real. I think you have to paint for a long time to really be able to wrap your mind around that concept.

11" x 14" oil on canvas

Thursday, July 05, 2012

Hammond Bay, on Lake Huron plein air

Wednesday we drove to Lake Huron, a short ten minute drive from our cabins. We were thinking about painting the closest lighthouse but when we arrived at the park no one wanted to paint it. The lighthouse was a smaller, square kind and not too interesting. It was also really windy and the best view of the lighthouse  was down on the beach. I did not want to be on the beach with no protection from the sun. It was really too windy for an umbrella.

I did like the arrangement of fir trees in front of the beach so I painted that and I was pretty happy with the piece when I was done. Quite a few visitors stopped to chat and one couple remarked that the turquoise water and whitecaps reminded them of the Fort Lauderdale beaches near their home in Florida. Instead of palms the beach here was lined with evergreens and I'm sure the temperature was a bit cooler too.

11" x 14" oil on canvas
Hammond Bay



Wednesday, July 04, 2012

Netta's Greenhouse and Nursery near Alpena

We traveled south to Alpena, Michigan on the second day of our painting adventure. The forecast was for an unseasonably hot day in the nineties so I was looking forward to some painting in the shade. Netta's Greenhouse and Nursery, owned by the wonderful Netta and her family, turned out to be the perfect place to paint.

I settled myself down near some flowers to paint an outdoor still life while some of the others painted Netta's house and her greenhouse. Netta ended up buying two of the paintings but she didn't want to pay enough for mine so it went home with me, where I tweaked it a bit.

I brought three 16" x 16" canvases and I really enjoyed working on the square format. I do a lot of small 6" x 6" paintings but the larger ones have never interested me until now.

Netta's Teapot 16" x 16"

Tuesday, July 03, 2012

More Plein Air Paintings to Post

This week I will be posting some of the better paintings I did on my painting trip to Michigan last week. I completed nine paintings in five days and I was exhausted by the end of the week. What these kind of trips do is really allow the artist to immerse herself in the landscape and geography of a place. I was surprised by how white the Michigan beaches are and the fine quality of the sand. The temperatures are quite cool in the evening even when they reach 90 during the day. A breeze can blow up alarmingly fast and turn into a gale, accompanied by thunderous clouds and developing into gusts that can easily carry away your easel. The birch trees where I stayed were much larger than I'm used to so I focused on one growing near the beach where we stayed. I had not painted many birches before and they are lovely trees.

14" x 11" oil on canvas
Ocquoc Lake Birch