Showing posts with label painting over an old painting. Show all posts
Showing posts with label painting over an old painting. Show all posts

Monday, November 05, 2012

Back to Anyo - the Final Piece

I am pretty happy with the way the final version of Anyo, our Caeroon model, turned out. I ended up using a lot of paint on my palette knife to go over the rougher edges left by the old landscape painting beneath her. Overall I would definitely recommend the process of "rework" if you have a quality canvas or board that can take the additional layers. I don't think I would put more than one painting over another, although my friend Jim had suggested he might eventually be able to produce a 2 inch thick painting if he kept covering up his disasters. I hope (know) he was kidding but I don't see anything wrong with doing the recycling process once.

The artist has to be aware of and know how to deal with previous bits and pieces from the old painting. If you're someone who likes to paint in a thin layered style this technique will frustrate you  greatly. But if you are someone like me- who likes to experiment, scrape and sometimes even destroy the layers underneath to create some kind of new craziness you will enjoy it.

If you have varnished the old painting you will need to remove the varnish before attempting this technique. I don't usually varnish my loser paintings so that's not going to be a problem with me. If I thought one was good enough to varnish I usually put it up for sale and it's long gone.

20" x 24"
oil on canvas over board (Pintura™)

SOLD


SOLD


Saturday, January 21, 2012

Rework gets more interesting

If you're like me you have a lot of paintings hanging around that are just, for lack of better words, "no good". You can't sell them. You've tried. You don't want them hanging on your wall. You live in the city and bonfires are illegal. So you recycle the canvas. That doesn't mean you throw it into the trash. No- you sand it lightly (outside) to get rid of the gloss, rub a bit of OMS onto it, then turn it upside down and begin a new painting. The cracks and ridges become part of the new piece and may or may not add some textural interest. It's always a gamble but it's also fun to get out the palette knife and play with your paint. There is less concern about maintaining the integrity of your design--WHAT DESIGN??? And you have a lot of freedom because you're not tied into a tight concept. I like to use one or two photos as "the concept". Here the concept was sous chef and the red brick wall in the original painting becomes the backdrop for the hot cooktop.

One advantage to creating a painting over another painting, and there are many, is that the darks are richer and deeper immediately. Layering oil paint creates interesting color and when you layer cools over warms and vice versa (at random) you can create colors that surprise and delight the viewer. The tactic would not work at all on a "fresh" painting. It's a technique that works best on an uneven and colored ground. And that's exactly what an existing painting is.

Here is the original painting- upside down-- and the final version of "Chef Jeff, the Sous Chef"