Monday, June 08, 2015
Old Dairy Barn in Whitehouse
I painted this barn in Whitehouse last Friday during the annual paint out sponsored by the Waterville Arts Commission. It is a 100 plus year old dairy barn owned by the Metro Parks, located north of the town off Shadel Road. It's located in an area known as the Blue Creek Conservation Area. There is a wildlife refuge next door, Nature's Nursery, where they accept and care for injured wildlife. The refuge saves more than 3,000 animals a year. What a great non-profit, and right in our own back yard. Here is a link to their website: http://www.natures-nursery.org/
As a plein air painter, you're always conscious of the weather, so I checked the forecast the night before. There was a 20% chance of thundershowers in the afternoon hours. We started painting around 10:45 AM. Generally, it takes 2-2-1/2 hours to complete a plein air painting. The lighting conditions will change dramatically if you try to paint any longer, especially in the sun. The one exception to this rule is on a cloudy day. You could almost paint all day when the light is consistent.
So we found ourselves still painting at 1:15 PM when the clouds rolled in. I'm not sure I would have added anything else to this painting, but I didn't have time to consider it. I packed my gear as quickly as possible, ran to the car with the painting and just barely made it inside before the clouds opened and a torrent of rain descended. We were lucky, but I know from experience I'll always remember this day.
Sunny days are enjoyable and the paintings are bright, with distinct patterns of light and shadow, but it's the sheer excitement of battling weather and bugs that creates a memorable day for me. The paintings I remember most are the ones I finished through sheer determination. How could I ever forget the young billy goat who tried to climb on top of my paint box, WHILE I painted. I cleaned cadmium yellow from his lips and hooves with baby wipes, praying he wouldn't be poisoned. At least once a year, a painting will blow off the easel or I'll drop it while carrying it to the car. It's an unwritten rule that these paintings always land face down. And it's usually a pretty good painting too, until I turn it over and see all the grass and pebbles adhered to the surface.
Plain air painting is not for artists who enjoy order. If you can embrace chaos and you're not frustrated easily, you will enjoy it. However, if you're one of those people who expect everything to go according to schedule and you like to trace your scene out before you even begin to paint, you might want to try a different hobby.
Thursday, June 04, 2015
A Young Fisherman
I met this boy a couple years ago when I was staying at Lakeside. I was out on the dock when he caught a fish and I asked him if I could take a picture of him with it. It's not a large fish, probably a perch, but he didn't care. He reeled in several more while I watched the sun set over the lake.
Monday, May 25, 2015
Peruvian Girl with Puppy
Many thanks to Navin Sarma for allowing me to use her photograph as a basis for this painting. She is a wonderful photographer based in the Washington DC area.
We have been working on home projects and preparing for our daughter's graduation so I haven't painted much of anything lately. This is a small painting to help get me back into the mode. Very soon I will be traveling to France, where I hope to paint in cafes and in vineyards on a regular basis.
We have been working on home projects and preparing for our daughter's graduation so I haven't painted much of anything lately. This is a small painting to help get me back into the mode. Very soon I will be traveling to France, where I hope to paint in cafes and in vineyards on a regular basis.
Peruvian Girl with Puppy
12x9 oil on canvas
Labels:
child,
girl,
girl with puppy,
hat,
oil,
oil painting,
peru,
peruvian,
puppy
Monday, April 27, 2015
A Gift for Dad on Father's Day-- A House Painting
This house painting was commissioned as a surprise gift for Father's Day. The client sent me several photos of her house and a few pictures of her and the family.
The key to putting people into a house painting is to keep them "in the background". That doesn't mean you have to put them behind the house; you just need to keep the values fairly close and don't add much detail. I blocked in the shapes in raw umber, then allowed it to dry and colored in the limbs and clothing loosely with paint very similar in value.
The painting is about the house and if we don't lose sight of that it's a better painting. Resist the temptation to put in features, bows, shoes etc. The house is the subject and the family is secondary.
16" x 20"
Alexa's House
The key to putting people into a house painting is to keep them "in the background". That doesn't mean you have to put them behind the house; you just need to keep the values fairly close and don't add much detail. I blocked in the shapes in raw umber, then allowed it to dry and colored in the limbs and clothing loosely with paint very similar in value.
The painting is about the house and if we don't lose sight of that it's a better painting. Resist the temptation to put in features, bows, shoes etc. The house is the subject and the family is secondary.
16" x 20"
Alexa's House
Monday, April 20, 2015
What Do You Do with Really Bad Photos?
This happens a lot. Someone dies and their brother (or mother, or cousin, or son etc.) realizes there are no good photos of them. Not one! They might be going through albums or cell phone pictures searching for photos to put up on the slide show that has recently become obligatory at most funerals.
"Omigosh!" They exclaim. "There is not one good photo of Uncle Fred."
Then Fred's daughter decides she wants a good photo or something to hang on her wall to keep his memory alive. She finds a bad photo and brings it to me and asks if I might be able to create a good painting using it as a reference.
At this point I should offer a firm "NO!"
But I don't. I tell the relative I can create a painting, but it will not be much better that the photo. However, I can make it impressionistic. For some reason an impressionistic portrait is better than a blurry photo when you hang them side by side on the wall. Or so they tell me.
"Omigosh!" They exclaim. "There is not one good photo of Uncle Fred."
Then Fred's daughter decides she wants a good photo or something to hang on her wall to keep his memory alive. She finds a bad photo and brings it to me and asks if I might be able to create a good painting using it as a reference.
At this point I should offer a firm "NO!"
But I don't. I tell the relative I can create a painting, but it will not be much better that the photo. However, I can make it impressionistic. For some reason an impressionistic portrait is better than a blurry photo when you hang them side by side on the wall. Or so they tell me.
8" x 10" oil on canvas
Mr. Evans
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